But Tracks isn't going to publish this, is he, Dessie? If he is, a good editor should reduce the long-winded bits and make the tone crisper.
Tracks, good stuff, but if you do aim for publication, work on reducing the wordage to say the same thing. It reads in a leisurely manner, as if you're chatting with your friends, but for the written page: get to the point as succinctly as you can. Small example is wondering why the jockeys 'didn't grasp the nettle' when you can ditch the cliche and say something like "But why didn't Lynch and Russell go on, when there was no pace?" It poses a question for your reader to think about, rather than softening the impact of criticism with lengthier writing.
Send now for my book, "CUT TO THE CHASE: writing skills for racing journos", priced at £24.99 inc p&p.
Tracks, good stuff, but if you do aim for publication, work on reducing the wordage to say the same thing. It reads in a leisurely manner, as if you're chatting with your friends, but for the written page: get to the point as succinctly as you can. Small example is wondering why the jockeys 'didn't grasp the nettle' when you can ditch the cliche and say something like "But why didn't Lynch and Russell go on, when there was no pace?" It poses a question for your reader to think about, rather than softening the impact of criticism with lengthier writing.
Send now for my book, "CUT TO THE CHASE: writing skills for racing journos", priced at £24.99 inc p&p.