I also missed a lot of the start of Doubt for the same reason - but if you know what it's about, I don't think it'll matter overall, Moe. It is good - it's amazing that just three thesps hold together an entire film. Philip Seymour Hoffman is a darn good actor - I want to see him in the biopic about Warhol now. Meryl Streep was all steely belief in her rightness and there's quite a nice wee twist at the end.
I gallantly sat through the three hours of Ollie Stone's Alexander last night, too. Bit difficult at first to take Colin Farrell in a curly blonde syrup too seriously, as his features are 'cute' rather than 'noble'. The stars of the show, for me, were Bucephalus, a superb (Lusitano?) horse and the war elephants in the Indian battle scene. The final denouement, where Bucephalus rears up to fight the Indian general's elephant, which does likewise, is just stunning. I had a silk painting I bought in Agra a long time ago, showing Lord Jahangir going into battle in a very similar fashion to what was depicted, and Stone's all-action show really does quicken the blood. And, oddly, although the Radio Times review panned the film as pompous and windy, I found it clicked along pretty well. Putting aside some dodgy accents on occasion, it was beautifully filmed, luscious in sets, and there are two lengthy and very well-researched battles which look and sound frighteningly authentic. (And the factual stuff is kept going in retrospectives by Anthony Hopkins, as the court historian.)